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The Teeth of The Abyss: an Irish Man’s From An American Concentration Camp

The Irish did not arrive in America as honorary whites. They arrived as a problem. As a threat. As bodies to be contained.

They were called filthy. Violent. Subhuman.

“The Usual Irish Way of Doing Things” by Thomas Nast (1871)

They were compared to apes in newspapers.

They were barred from jobs with signs that read “No Irish Need Apply.” They were treated as a racial underclass, shoved into slums, and policed as if their existence itself was a crime. Their Catholicism was framed as foreign contamination. Their hunger was mocked. Their grief was entertainment.

They were placed in the same category of undesirables as Black people, Jewish people, and Native people. Different histories and different wounds, but the same American instinct remains. Find a group, strip its humanity, and build a hierarchy on the bones.

The Irish were told they were not fit for citizenship. Not fit for decency. Not fit for belonging. And the country that caged them then has not forgotten how to cage now. The old machinery of othering never rusted. It simply changed targets.

Cartoon "American Gold," showing Irish American laborers in the left panel and a lazy Irish family among pigs and whiskey bottles in the right panel

“American Gold,” Puck, May 24, 1882.

THE PIVOT INTO THE PRESENT

Camp East Montana/Fort Bliss Detention Center

From inside an ICE facility in El Paso, Texas, specifically the Camp East Montana tent city, an Irish man named Seamus Culleton sends a signal that demands attention.

He proclaims it to be a “modern-day concentration camp.”

The words land heavy. Not metaphor. Not exaggeration. A warning.

Culleton has been held for months. His report is not a complaint. It is a field note from inside the machine.

He describes a ritual of confinement designed to grind down the human spirit. Crowded tents. Filth. Uncertainty. “I’m treated like a dog, he says. The sentence is simple. The meaning is not.

And here is the creature-logic of it all. The Irish once lived under the same architecture of suspicion. They were once the bodies America decided were disposable.

The system remembers that old song. It knows the melody of exclusion by heart. It plays it again now, on a new station, for anyone caught in its teeth.

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Historical Context & Citations

  • The “Simian” Caricature:

  • Employment Discrimination (NINA):

  • The “White Negro” & Racial Hierarchy:

    • Source: “How the Irish Became White” – Discussion of Noel Ignatiev’s historical analysis of the Irish racial transition.

    • Cartoon: “American Gold” (Puck Magazine, 1882) – Depicting the Irish filling the almshouses and prisons.

Current Context: Camp East Montana / Fort Bliss

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